August 27th, 2010
In Memoriam: Rubem Ludolf, Rio
The waves of contemporary art that reflect back and pay homage to their predecessors usually have a higher stake in the art world than work that explodes spontaneously. There are many young artists who develop the idea that their art should only come from the very present, and each successive work should attempt to destroy everything that came before it. It’s a very romantic notion, and does have a certain nihilistic appeal. But even the Dadaists, while destroying the past, were doing so with a distinct consciousness and memory of the ones who came before.
In Rio de Janeiro, the art world is as eclectic as anywhere else, and there are certainly shares of self-taught artists who claim to refer to no one. There are also those who, like Rubem Ludolf , are self-taught and then grow into a consciousness of their place in history. He’s a figure now that’s entitled to enter that elusive realm of great art ancestors, as he passed in July of 2010 . His great contributions were in the realm of geometric shapes, rethinking how the human eye perceives space. Like his contemporaries Lygia Clark and Helio Oititica, his great project was one of seeing, and learning how to see again. Guests in Rio de Janeiro hotels should be in for some fascinating exhibitions and retrospectives, as this name becomes aligned with the sphere of great teachers who continue to influence the artists of the next generations.

